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Fine Art Photography 


Whilst growing up in a predominantly Caucasian school district, I encountered hurtful words from my fellow students such as whitest black guy, token black man, and oreo. These slurs relate back to a driving theme found in Franz Fanon's literary work Black Skin, White Mask. Fannon states, “When people like me, they like me ‘in spite of my color.’ When they dislike me; they point out that it isn’t because of my color. Either way, I am locked into the Infernal Circle.” Living in America, the African-American is smothered by the duality of appearing educated and non-threatening to white people and also streetwise and tough to our fellow Africans. My work showcases this struggle as I wrestle with a moist cotton pillowcase. The pillowcase symbolizes the torture of living this double life that my people have faced from enslavement to the contemporary struggles that still face Black communities today.

Black Skin, White Mask

2019 

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